“Shit is fuckin’ weird right now. Be nice to people you know, be nice to people you don’t know…Lance that boil, pop that zit. Here’s another song.”

Lead vocalist Tunde Adebimpe expressed these sentiments and similar ones through his quips between songs and overall performance, and the rest of the band backed him up throughout their set that closed out the first day of Goose Island’s 312 Block Party. The show had a perfect balance of being about the turmoil going on right now and simply dancing away that negativity, the music cathartic and enjoyable in nature.

Photo by Danny O'Donnell, @Do312

What makes TV On The Radio special is their extreme eclecticism—they’re primarily a rock band, yes, but they pull from many sub-genres (including but not limited to punk and synth) as well as a multitude of other styles and traditions. And they do this with an energy that boils and melts it all together into a fine hodge-podge of sounds, in the studio—and as exemplified by their September 21 show—on the stage.

In all honesty, I was a bit nervous to hear how they would sound live—their records are so well-produced, countless layers interacting but never getting in the way of each other, pristine vocal tracks and their harmonies shining. Throughout the concert, there were great moments where each musician’s zeal was supremely prominent—a trombone and guitar rhythmically spitting back and forth, subtly and minimally used vocal effects resulting in controlled feedback atop everything else before being buried, unrelenting drums holding it all together.

Photo by Danny O'Donnell, @Do312

A high point in the show came after the aforementioned quote, with the moving chorus of “Trouble,” from 2014’s Seeds. Adebimpe—and the many fans singing along—belted out “‘Everything’s gonna be okay’ / Oh, I keep telling myself / ‘Don’t worry, be happy’ / Oh, you keep telling yourself” and following its introduction, the song that preceded recent events had a new meaning, one that evoked both a longing acceptance and bitter sarcasm, depending on how you heard and processed it. In a time when it seems every artist has to acknowledge the current climate, TV On The Radio navigated that well, not disregarding the immense power music has to deal with heavy subjects in abstract ways, nor the ability it has to—at the very least—help masses put their worries somewhere else and just dance and sing.

*A review by Izzy Yellen