Tag: Empty Bottle Presents

Bottle Recap: TV On The Radio @ 312 Block Party 9.21

“Shit is fuckin’ weird right now. Be nice to people you know, be nice to people you don’t know…Lance that boil, pop that zit. Here’s another song.”

Lead vocalist Tunde Adebimpe expressed these sentiments and similar ones through his quips between songs and overall performance, and the rest of the band backed him up throughout their set that closed out the first day of Goose Island’s 312 Block Party. The show had a perfect balance of being about the turmoil going on right now and simply dancing away that negativity, the music cathartic and enjoyable in nature.

Photo by Danny O'Donnell, @Do312

What makes TV On The Radio special is their extreme eclecticism—they’re primarily a rock band, yes, but they pull from many sub-genres (including but not limited to punk and synth) as well as a multitude of other styles and traditions. And they do this with an energy that boils and melts it all together into a fine hodge-podge of sounds, in the studio—and as exemplified by their September 21 show—on the stage.

In all honesty, I was a bit nervous to hear how they would sound live—their records are so well-produced, countless layers interacting but never getting in the way of each other, pristine vocal tracks and their harmonies shining. Throughout the concert, there were great moments where each musician’s zeal was supremely prominent—a trombone and guitar rhythmically spitting back and forth, subtly and minimally used vocal effects resulting in controlled feedback atop everything else before being buried, unrelenting drums holding it all together.

Photo by Danny O'Donnell, @Do312

A high point in the show came after the aforementioned quote, with the moving chorus of “Trouble,” from 2014’s Seeds. Adebimpe—and the many fans singing along—belted out “‘Everything’s gonna be okay’ / Oh, I keep telling myself / ‘Don’t worry, be happy’ / Oh, you keep telling yourself” and following its introduction, the song that preceded recent events had a new meaning, one that evoked both a longing acceptance and bitter sarcasm, depending on how you heard and processed it. In a time when it seems every artist has to acknowledge the current climate, TV On The Radio navigated that well, not disregarding the immense power music has to deal with heavy subjects in abstract ways, nor the ability it has to—at the very least—help masses put their worries somewhere else and just dance and sing.

*A review by Izzy Yellen

Posted October 9th, 2018

Categories Blog, EBP

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Beyond The Gate feat. Grouper, Mute Duo Ensemble, & Hilary Woods 9.23

It’s not often you get to see a well-programmed concert at a cemetery on the Fall Equinox. And under the Harvest Moon. But Empty Bottle Presents’ Beyond The Gate was exactly that.

Photo by Danny O'Donnell, @312

Right off the bat, the setting was beautiful—blue lights illuminating the building behind, branches and handmade lit-up orbs adorning the stage, blankets and chairs packed into the lawn with bundled up fans.

Photo by Danny O'Donnell, @312

Once the crowd and the sun’s light settled, Hilary Woods began, twangy guitar accompanying her wispy but resonant voice. The atmosphere she created, especially in the cemetery, was reminiscent of Angelo Badalamenti’s music for Twin Peaks—thick, muddy voicings on a keyboard and 50s-sounding guitar (she switched between the two) created structured songs that still allowed there to be an atmospheric, open quality.

Photo by Danny O'Donnell, @312

Mute Duo is Sam Wagster on pedal steel and Skyler Rowe on drums/percussion, but for this special concert, they were the Mute Duo Ensemble, joined by six others. An instrumental group (aside from wordless vocals from Bottle staple Bruce “Hesh” Lamont, who also played tenor sax), the collection of musicians played without breaks, going from unified drones to solos to prickly durations of time that had the many voices peeking out of the combined voice with their idiosyncrasies.

Photo by Danny O'Donnell, @312

Grouper was—in terms of the whole bill—a synthesis of her openers, bringing together chaos and stark songwriting. The fact that it was just a sole musician (Liz Harris) didn’t stop there from being layers and layers of sound enveloping the audience. Grouper’s outside music surrounded and comforted me, the powerful moments—emotionally and sonically—making the near silent moments even more silent, and the silent moments making the powerful even more powerful. The dynamic and emotional range of her performance was flooring, and this was only accentuated by its setting.

While the space and her interaction with it was an instrument itself, it would not have functioned as such without the sources—her elaborate but well-controlled setup of piano, guitar, affected vocals, and samples, all through a mixer she intently controlled. Melting and shifting together, these different instruments often took on similar forms in context of her larger work.

Hilary Woods, Mute Duo Ensemble, and Grouper evoked an unsettling creepiness at their concert space without forcing it at all, their music finding a home at Bohemian National Cemetery and, ultimately, being more moving thanks to the environment. I’m already excited to hear more bands find a home for their music at the cemetery next year.

*A review by Izzy Yellen

Levitation Chicago 2016 :: Empty Bottle Presents

This past weekend of  LEVITATION CHICAGO at Thalia Hall was quite the time! Spring is upon us and we find ourselves on the other side of a killer three days of music at LEVITATION CHICAGO music festival.  Let's dive on in to revisit how great of a time we had music-friendly-dancing (and drinking LAGUNITAS beer)all over Thalia Hall. [Pictures by Allison Taich ] Read More »

TONS of new shows this week!

We've got an almost-obnoxious number of awesome new shows coming to our stage (& LSA) in the next few months and they're all going on sale this week. Some of them are even on sale now! Check it out ("after the jump") and give a listen to the New Shows Playlist at the bottom of this post. What a world! Read More »